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A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7[ 7] (which could also be called ♭ V 7 /V, subV 7, [ 7] or V 7 / ♭ V [ 7] ).
Microtone. [] Quarter tone accidentals residing outside the Western semitone: quarter tone flat, flat, (two variants of) three quarter tones flat; quarter tone sharp, sharp, three quarter tones sharp. Microtonal music can refer to any music containing microtones. The words "microtone" and "microtonal" were coined before 1912 by Maud MacCarthy ...
Among alternative tunings for guitar, a major-thirds tuning is a regular tuning in which each interval between successive open strings is a major third ("M3" in musical abbreviation). [1] Other names for major-thirds tuning include major-third tuning, M3 tuning, all-thirds tuning, and augmented tuning. By definition, a major-third interval ...
The ragtime progression[ 3 ] is a chord progression characterized by a chain of secondary dominants following the circle of fifths, named for its popularity in the ragtime genre, despite being much older. [ 4 ] Also typical of parlour music, its use originated in classical music and later spread to American folk music. [ 5 ]
The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.
The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [citation needed], although it may be found in other types of music as well. It may be derived from the major scale with a minor third, [ 1 ...
David Rubinson. " Chameleon " is a jazz fusion standard composed by Herbie Hancock with Bennie Maupin, Paul Jackson and Harvey Mason, [ 3] all of whom also performed the original 15:44 full-length version on the 1973 album Head Hunters, [ 4] and featuring solos by Hancock and Maupin. The 9:41 edit omits an out-of-tune segment, features a new ...
Andalusian cadence. The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise – a iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [ 1]