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Free Jazz: A Collective Improvisation is an album by the jazz saxophonist and composer Ornette Coleman. It was released through Atlantic Records in September 1961: the fourth of Coleman's six albums for the label. Its title named the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New ...
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that ...
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) [1] was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony -based composition ...
Lowe was a tenor saxophonist who was extremely influenced by the first and second waves of free jazz throughout the 1960s. His composition "Spirits in the Field" was performed on Arthur Blythe 's 1977 album, The Grip. On September 19, 2003, he died of lung cancer. [1] His legacy was a varied body of recordings and memorable performances.
AMM was a British free improvisation group that was founded in London, England, in 1965. [ 1 ] The group was initially composed of Keith Rowe on guitar, Lou Gare on saxophone, and Eddie Prévost on drums. The three men shared an interest in exploring music beyond the boundaries of conventional jazz, as in free jazz and free improvisation.
Burton Greene (June 14, 1937 – June 28, 2021) was an American free jazz pianist born in Chicago, Illinois, though most known for his work in New York City. He explored multiple genres, including avant-garde jazz and the Klezmer medium.
Life and career. Waters was born in Iowa on March 11, 1946. She started singing semi-professionally in high school. After school, she sang for the Jerry Gray Hotel Jazz Band. Her family moved to Denver and she started listening to Billie Holiday, whose life and singing had a profound influence on her. [1]
In the 1960s Dixon established himself as a major force in the jazz avant-garde. [2] In 1964, Dixon organized and produced the October Revolution in Jazz, four days of music and discussions at the Cellar Café in Manhattan. [8] The participants included pianist Cecil Taylor and bandleader Sun Ra. It was the first free-jazz festival of its kind.