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It was composed by Nick LaRocca and Larry Shields, and first recorded as "At the Jass Band Ball" by the Original Dixieland Jazz Band on September 3, 1917, in New York and released as an Aeolian Vocalion single, A1205. The instrumental was rerecorded on March 19, 1918, and was released as a Victor 78 single, Victor 18457, Matrix #B-21583/1, with ...
Milestones (instrumental composition) "Milestones" is a jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a modal style and experimentation in this piece led to the writing of "So What" from the 1959 album Kind ...
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards ...
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony and African rhythmic rituals.
Manteca (song) " Manteca " is one of the earliest foundational tunes of Afro-Cuban jazz. Co-written by Dizzy Gillespie, Chano Pozo and Gil Fuller in 1947, it is among the most famous of Gillespie's recordings (along with the earlier "A Night in Tunisia") and is "one of the most important records ever made in the United States", according to ...
This chapter begins by pointing out the way that technological developments (radio and recordings), and the economic lift they provided to musicians, generated crosscurrents in jazz, resulting in a move towards jazz orchestras, the big bands, by the end of the 1920s. Schuller then considers two sites of big band activity: New York and Kansas City.
Lady Bird" is a sixteen-bar jazz standard by Tadd Dameron. This "celebrated" composition, "one of the most performed in modern jazz", was written around 1939, [ 1 ] and released in 1948. [ 2 ] Featuring, "a suave, mellow theme ," [ 3 ] it is the origin of the Tadd Dameron turnaround (in C: CM 7 E ♭ 7 A ♭ M 7 D ♭ 7 CM 7 ). [ 4 ]
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