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In jazz or rock, a group of three musicians which includes a Hammond organ player and two other instruments, often an electric guitar player and a drummer. oppure or ossia (Ital.) Or (giving an alternative way of performing a passage, which is marked with a footnote, additional small notes, or an additional staff) ostinato
The band drifted into a middle of the road direction which failed to bring them any success. In 1967, the band's producer Ridley decided to try and transform Ennis into a solo star, cutting the disc "Tremblin'" with session musicians and backing vocals by Madeline Bell and Kiki Dee , but it was ultimately released under the band's name.
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
The Original Dixieland Jazz Band, whose members were white, were the first jazz group to record, and Bix Beiderbecke was one of the most prominent jazz soloists of the 1920s. [29] The Chicago Style was developed by white musicians such as Eddie Condon, Bud Freeman, Jimmy McPartland, and Dave Tough.
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
combo. An abbreviation for "combination", which is used in two senses in jazz and pop music. "Combo" can be the equivalent of "group" or "ensemble" (e.g. "a jazz combo"). As well, "combo" refers to a "combination amplifier", so named because it includes an amplifier and a speaker in a single cabinet. comping.
This chapter begins by pointing out the way that technological developments (radio and recordings), and the economic lift they provided to musicians, generated crosscurrents in jazz, resulting in a move towards jazz orchestras, the big bands, by the end of the 1920s. Schuller then considers two sites of big band activity: New York and Kansas City.
One for All is a jazz sextet formed in 1997. The band comprises Eric Alexander (tenor saxophone), Jim Rotondi (trumpet), Steve Davis (trombone), David Hazeltine (piano), John Webber (bass) and Joe Farnsworth (drums). The band has been compared to 1960s-era Blue Note jazz and Art Blakey's Jazz Messengers. [1][2]