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Rhythm changes is a common 32- bar jazz chord progression derived from George Gershwin 's " I Got Rhythm ". The progression is in AABA form, with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II ...
A jazz term describing a trill between one note and its minor third; or, with brass instruments, between a note and its next overblown harmonic sharp A symbol (♯) that raises the pitch of the note by a semitone; also an adjective to describe a singer or musician performing a note in which the intonation is somewhat too high in pitch short accent
This is a glossary of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound ...
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
Notated glissando from E 4 to E 5. In music, a glissando (Italian: [ɡlisˈsando]; plural: glissandi, abbreviated gliss.) is a glide from one pitch to another (Play ⓘ). It is an Italianized musical term derived from the French glisser, "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between ...
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
The band drifted into a middle of the road direction which failed to bring them any success. In 1967, the band's producer Ridley decided to try and transform Ennis into a solo star, cutting the disc "Tremblin'" with session musicians and backing vocals by Madeline Bell and Kiki Dee , but it was ultimately released under the band's name.
From left to right: flat, natural, and sharp. In musical notation, an accidental is a symbol that indicates an alteration of a given pitch. The most common accidentals are the flat (♭) and the sharp (♯), which represent alterations of a semitone, and the natural (♮), which cancels a sharp or flat. Accidentals alter the pitch of individual ...