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Roboto is the default system font on Android, and since 2013, other Google services such as Google Play, YouTube, Google Maps, [5] and Google Images. In 2017, Roboto was used on the LCD countdown clocks of the New York City Subway's B Division lines. Roboto Bold is the default font in Unreal Engine 4, and in Kodi. [6]
It is also used in the famous I Love New York (I ♥ NY) logo. The U.S. TV series The Office uses the font as its main logo, as does the U.S. TV series Psych (using the bold variant). Tesco used the font for in-store signage between the late 1970s and mid-1990s. Sony Ericsson used the font for branding between mid 2000s and early 2010s.
[citation needed] This also helps with mobile email users who might not see bold or color in email. In microblogging (such as on Twitter, GNU social- and ActivityPub-based microblogs), an @ before the user name is used to send publicly readable replies (e.g. @otheruser: Message text here). The blog and client software can automatically ...
Baskerville is a serif typeface designed in the 1750s by John Baskerville (1706–1775) in Birmingham, England, and cut into metal by punchcutter John Handy. [1] [2 ...
Milton Glaser (June 26, 1929 – June 26, 2020) was an American graphic designer, recognized for his designs, including the I Love New York logo; [1] [2] a 1966 poster for Bob Dylan; the logos for DC Comics, Stony Brook University, Brooklyn Brewery; and his graphic work on the introduction of the iconic 1969 Olivetti Valentine typewriter.
The bold weight, digitised by URW, is included with some Microsoft software such as Office. A wry commentary on the design, presumably by Microsoft's typography manager Robert Norton, adds: This interesting face always excites heated opinions. Some, like the writer, have always put Britannic Bold firmly in the category called 'Monumentally ...
The New York Times changed its standard font from Times New Roman to Georgia in 2007. [11] Georgia is a "Scotch Roman", a style that originated in types sold by Scottish type foundries of Alexander Wilson and William Miller in the period of 1810–1820. According to Thomas Curson Hansard, these were cut by London-based punchcutter Richard Austin.
The base weight differs among typefaces; that means one font may appear bolder than another font. For example, fonts intended to be used in posters are often bold by default while fonts for long runs of text are rather light. Weight designations in font names may differ in regard to the actual absolute stroke weight or density of glyphs in the ...
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