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The Alabama Jazz Hall of Fame (AJHF) is an organization and museum in Birmingham, Alabama, United States.It was founded in 1978, and opened as museum on September 18, 1993, with a mission "to foster, encourage, educate, and cultivate a general appreciation of the medium of jazz music as a legitimate, original and distinctive art form indigenous to America.
Alabama State University (ASU, Bama State, or Alabama State) is a public historically black university in Montgomery, Alabama. Founded in 1867, during the Reconstruction era , it was one of about 180 " normal schools " established by state governments in the 19th century to train teachers for the rapidly growing public common schools.
The Bama State Collegians is a student jazz orchestra made up of students at Alabama State University. This group was organized in the late 1920s by Len Bowden, Fess Whatley, and Paul Bascomb. [1] Bowden went on to direct the Navy's music program at Camp Robert Smalls during World War II. John Tuggle "Fess" Whatley (1895-1972) was inducted into ...
The Alabama Jazz Hall of Fame All-Stars (AJHoF All-Stars) is a working jazz ensemble, featuring some of the finest jazz musicians Alabama has to offer. This group is the faculty of the Jazz Education Department of the Alabama Jazz Hall of Fame and the faculty of the Fun With Jazz Educational Program, begun through the Alys Stephens Center (2006), and now administered by the Alabama Jazz Hall ...
The Institute of Jazz Studies (IJS) is the largest and most comprehensive library and archives of jazz and jazz-related materials in the world. It is located on the fourth floor of the John Cotton Dana Library at Rutgers University–Newark in Newark, New Jersey .
Pages in category "Jazz ensembles from Alabama" The following 4 pages are in this category, out of 4 total. ... Bama State Collegians; M. Magic City Jazz Orchestra; W.
Jazz elements such as improvisation, rhythmic complexities and harmonic textures were introduced to the genre and consequently had a big impact in new listeners and in some ways kept the versatility of jazz relatable to a newer generation that did not necessarily relate to what the traditionalists call real jazz (bebop, cool and modal jazz). [200]
The debut album from the L.A. jazz supergroup SML is a thrilling elegy for a dead nightclub. Over two packed nights last year, the quintet recorded raw, long-form improvisations at the Highland ...