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Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
When jazz guitar players improvise, they use the scales, modes, and arpeggios associated with the chords in a tune's chord progression. The approach to improvising has changed since the earliest eras of jazz guitar. During the Swing era, many soloists improvised "by ear" by embellishing the melody with ornaments and passing notes.
Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs. From the 1920s and 1930s Swing and big ...
This guitar was his main guitar in the early ‘60s through to around 1973. He was also known for his heavy use of a modified Gibson L-4 guitar in the studio and for television and movie projects. This guitar had started out as an original design in 1962 by Roberts and C.M.I. product designer and clinician Andy Nelson.
In 1960, Hall also toured and recorded with Ella Fitzgerald in Europe. Hall moved to New York City around 1960 and began performing with band leaders including Lee Konitz (1960–61), Sonny Rollins (1961–62, 1964), and Art Farmer (1962–64). He formed a studio partnership with Bill Evans during this time, appearing on five albums with Evans ...
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