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Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
In the 1980s in jazz, the jazz community shrank dramatically and split. A mainly older audience retained an interest in traditional and straight-ahead jazz styles. Wynton Marsalis strove to create music within what he believed was the tradition, creating extensions of small and large forms initially pioneered by such artists as Louis Armstrong ...
Musician. Instrument (s) Flute, vocals. Years active. 1971–present. Labels. Blue Note, Epic, Malaco, Paradise Sounds. Barbara Ann " Bobbi " Humphrey (born April 25, 1950) is an American jazz flautist and singer. She has recorded twelve albums over the course of her career, mostly playing jazz fusion, funk, and soul-jazz.
1970s in jazz. In the 1970s in jazz, jazz became increasingly influenced by Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments (piano, double bass, etc.).
The label features straight-ahead jazz, adult contemporary pop, AAA, AOR, classic R&B, smooth jazz, and genuine retro surf from the 1960s. As a musician and recording engineer, he has often been a consultant and beta tester for new musical equipment and recording gear.
Harriott's free-form compositions normally formed only a portion of live gigs. Indeed, the final album recorded by the quintet, 1964's High Spirits (Columbia), was a straight-ahead jazz interpretation of compositions from the musical of that name, which was based on the Noël Coward play Blithe Spirit. [5] However, the continuing hostility of the older British jazz establishment to free form ...
Stanley William Turrentine (April 5, 1934 – September 12, 2000) [1] was an American jazz tenor saxophonist and record producer. He began his career playing R&B for Earl Bostic and later soul jazz recording for the Blue Note label from 1960, touching on jazz fusion during a stint on CTI in the 1970s. [2] He was described by critic Steve Huey ...
nitetripper.com. Malcolm John Rebennack, Jr. (November 20, 1941 – June 6, 2019), better known by his stage name Dr. John, was an American singer and songwriter. His music combined New Orleans blues, jazz, R&B, soul and funk. [ 1 ] Active as a session musician from the late 1950s until his death, he gained a following in the late 1960s after ...
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