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The origin of the word jazz is one of the most sought-after etymologies in modern American English. Interest in the word – named the Word of the Twentieth Century by the American Dialect Society – has resulted in considerable research and the linguistic history is well documented. "Jazz" originated in slang around 1912 on the West Coast ...
Jazz bassist Jaco Pastorius recorded a version of "Donna Lee" on bass guitar, with Don Alias on congas, for his debut album Jaco Pastorius (1976). [1] His friend Pat Metheny called this version "astounding" because of its "hornlike phrasing that was previously unknown to the bass guitar" and "one of the freshest looks at how to play on a well ...
Jazz elements such as improvisation, rhythmic complexities and harmonic textures were introduced to the genre and consequently had a big impact in new listeners and in some ways kept the versatility of jazz relatable to a newer generation that did not necessarily relate to what the traditionalists call real jazz (bebop, cool and modal jazz). [200]
[212] He has been called "one of the great innovators in jazz", [213] and had the titles Prince of Darkness and the Picasso of Jazz bestowed upon him. [214] The Rolling Stone Encyclopedia of Rock & Roll said, "Miles Davis played a crucial and inevitably controversial role in every major development in jazz since the mid-'40s, and no other jazz ...
A style of jazz music often said to have been started by guitarist Jean "Django" Reinhardt in the 1930s. The style was originally called "hot club" or "hot jazz" and served an acoustic European interpretation of swing. The term "gypsy jazz" didn't appear until after the 1970s, when Sinti people adapted their folk music to emulate that of Django's.
Ken Nordine (April 13, 1920 – February 16, 2019) was an American voice-over and recording artist, best known for his series of word jazz albums. [2] His deep, resonant voice has also been featured in many commercial advertisements and movie trailers.
In jazz, when one instrumentalist or singer is doing a solo, the other ensemble members play accompaniment parts. While fully written-out accompaniment parts are used in large jazz ensembles, such as big bands, in small groups (e.g., jazz quartet, piano trio, organ trio, etc.), the rhythm section members typically improvise their accompaniment parts, an activity called comping.
During his brief time in school at Berklee, Gisbert was offered to go on the road with Buddy Rich as a connection made through Wilson. Gisbert's credits have then included: Buddy Rich (1985–86), Woody Herman's band under Frank Tiberi's direction (1987–89), John Fedchock and Maria Schneider, Gary Burton (1989), Lew Anderson (1989) and Toshiko Akiyoshi (1989 and subsequently).