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Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
Morton was a crucial innovator in the evolution from the early jazz form known as ragtime to jazz piano, and could perform pieces in either style; in 1938, Morton made a series of recordings for the Library of Congress in which he demonstrated the difference between the two styles. Morton's solos, however, were still close to ragtime, and were ...
Chicago is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse.Set in Chicago in the jazz age, the musical is based on a 1926 play of the same title by Maurine Dallas Watkins about actual criminals and crimes on which she reported.
Kansas City is known as one of the most popular "cradles of jazz". Other cities include New Orleans, Chicago , St. Louis , Pittsburgh , Philadelphia , and New York City . [ 1 ] Kansas City was known for the organized musicians of the Local 627 A.F.M., which controlled a number of venues in the city. [ 2 ]
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s -> Jump blues: 1930s -> Kansas City jazz: Kansas City jazz is a style of jazz that developed in Kansas City, Missouri and the surrounding Kansas City Metropolitan Area during the 1930s 1930s -> Latin jazz: Draws heavily on salsa and merengue ...
Berkeley was born in Los Angeles, California, to Francis Enos (who died when Busby was eight) and stage actress Gertrude Berkeley (1864–1946). Among Gertrude's friends, and a performer in Tim Frawly's Stock company run by Busby Berkeley's father, were actress Amy Busby from whom Berkeley gained the appellation "Buzz" or "Busby" [2] [3] and actor William Gillette, then only four years away ...
This chapter begins by pointing out the way that technological developments (radio and recordings), and the economic lift they provided to musicians, generated crosscurrents in jazz, resulting in a move towards jazz orchestras, the big bands, by the end of the 1920s. Schuller then considers two sites of big band activity: New York and Kansas City.