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Scott Joplin's "The Entertainer" is written in C major. Many musicians have pointed out that every musical key conjures up specific feelings. [5] This idea is further explored in a radio program called The Signature Series. American popular songwriter Bob Dylan claimed the key of C major to "be the key of strength, but also the key of regret". [6]
Songs in the Key of Z is a book and two compilation albums written and compiled by Irwin Chusid. The book and albums explore the field of what Chusid coined as "outsider music". Chusid defines outsider music as; "crackpot and visionary music, where all trails lead essentially one place: over the edge." Chusid's work has brought the music of ...
Key (music) In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music . Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale. [ 1]
A. Afternoon in Paris. Ain't Misbehavin' (song) Ain't She Sweet. All of My Life (Irving Berlin song) April in Paris (song) Aquarela do Brasil.
Musically, the song is set in the key of C major and has a tempo of 90 beats per minute. [14] It follows a simple four-chord structure of F major–E minor–D minor–C major. [5] Bieber's voice has "a bright, pliable timbre" applied to it in the chorus and his verse, delivering his lines with a "pop twang".
The song was composed in the key of C major. [3] At the request of Andy Warhol, band frontman Lou Reed wrote the song about Warhol superstar Edie Sedgwick. According to Reed, the title was inspired by Warhol saying, about Sedgwick, "Oh, don't you think she's a femme fatale, Lou?" [4] [5] The song was recorded with vocals by Nico. [1]
[4] [8] According to the sheet music, the song is composed in the key of C major with a time signature in common time, and a moderate groove of 88 beats per minute. [9] AllMusic's Tim Sendra called the song a "bittersweet ballad", while Katie Hasty from HitFix classified it as a "sandy-sweet tune".
"Cherry on Top" has been described as a bubblegum pop song [12] and is set in the key of C major with a tempo of 76 beats per minute. [13] The track was produced by Shintaro Yasuda and Skylar Mones and composed by Boy Matthews, Gaby Ramirez, Shintaro Yasuda, and Skylar Mones. [12]