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Ella Mae Morse in 1944. Ella Mae Morse (September 12, 1924 – October 16, 1999) [1] was an American singer of popular music whose 1940s and 1950s recordings mixing jazz, blues, and country styles influenced the development of rock and roll. Her 1942 recording of "Cow-Cow Boogie" with Freddie Slack and His Orchestra gave Capitol Records its ...
This is a glossary of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound ...
In recent years, Gisbert has become an active and highly respected jazz educator, teaching at festivals and conducting clinics across the United States. He also had two stints on the Jazz faculty at the University of Miami in the 2000s. He has also branched out in producing; bringing the up-and-coming conductor and composer, Chie Imiazumi, to ...
Original Dixieland Jass Band. Dominic James " Nick " LaRocca[1] (April 11, 1889 – February 22, 1961), was an American early jazz cornetist and trumpeter and the leader of the Original Dixieland Jass Band, who is credited by some as being "the father of modern jazz". [2] He is the composer of one of the most recorded jazz classics of all-time ...
The Way Up is the eleventh and final studio album by the Pat Metheny Group. It was released in 2005 and won the Grammy Award for Best Contemporary Jazz Album in 2006. It is the last album in the prolific, three-decade collaboration of Pat Metheny and Lyle Mays .
In jazz, when one instrumentalist or singer is doing a solo, the other ensemble members play accompaniment parts. While fully written-out accompaniment parts are used in large jazz ensembles, such as big bands, in small groups (e.g., jazz quartet, piano trio, organ trio, etc.), the rhythm section members typically improvise their accompaniment parts, an activity called comping.
In 1988, Emily Remler was the first jazz guitarist to record it, on her album East To Wes. According to the liner notes by Nat Hentoff [5] the composition was one of Remler's favorites from the Be-bop era. In 1990, Mal Waldron & Steve Lacy covered the tune on their album Hot House.
Acid jazz often contains various types of electronic composition (sometimes including sampling or live DJ cutting and scratching), but it is just as likely to be played live by musicians, who often showcase jazz interpretation as part of their performance. Richard S. Ginell of AllMusic considers Roy Ayers "one of the prophets of acid jazz". [211]