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"Dazzle" is a song by the English post-punk band Siouxsie and the Banshees. It was released on 25 May 1984 by Polydor Records as the second single from their sixth studio album, Hyæna. Content. The song begins with a gradual fade-in of an orchestral string section and progresses to a drum-driven, majestic anthem.
Detour Ahead" is a jazz standard with words and music credited to Herb Ellis, Johnny Frigo, and Lou Carter. Background. The song was written in 1948 while Carter, Ellis and Frigo were part of The Soft Winds, a group they created after leaving Jimmy Dorsey's orchestra. The lyrics compare love's progress to a motor trip.
The song was the 12th most covered song of all recordings from 1936, “Let’s Face the Music and Dance,” amassed 194 versions and 2 adaptations since its first recording by Vincent Lopez and His Orchestra on January 21, 1936. The song's hit versions in 1936 were by Fred Astaire and by Ted Fio Rito & His Orchestra (vocal by Stanley Hickman).
Nesuhi Ertegün. " Giant Steps " is a jazz composition by American saxophonist John Coltrane. [1] It was first recorded in 1959 and released on the 1960 album Giant Steps. [2] The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many artists.
Work Song (Nat Adderley song) Nat Adderley in 1969. " Work Song " is a work song and jazz standard [1] by American trumpeter Nat Adderley and writer Oscar Brown Jr. It was first featured in Adderley's 1960 studio album of the same name, which was met with high praise and acclaim. [2] [3] "Work Song" is one of Adderley's best known compositions.
The song has since been covered by the Circle Jerks and is featured on Tony Hawk's American Wasteland. Spedding was the producer of the Sex Pistols ' first demos , which were recorded on 12 May 1976 at London's Majestic Studios, where he had recorded his contributions to Eno's album Here Come the Warm Jets and the Sharks track "Kung Fu". [2]
"Dazzle Dazzle" is a pop dance song with a mix of hip-hop and moombahton. The addictive bass line and the cheerful, cool brass sound further enhance the dynamic atmosphere of the song. It was written by Danke, STAINBOYS and Anna Timgren, and produced by the later two. Background and release
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