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The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.
The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [citation needed], although it may be found in other types of music as well. It may be derived from the major scale with a minor third, [ 1 ...
In the lower stave the notes E ♮ and B ♭ are given. These form a tritone which defines the dominant sound, and are the major 3rd and minor 7th of the C 7 ♯ 9 chord. In the upper stave the notes E ♭, G, and B ♭ are given together: these form an E ♭ major triad. Play ⓘ This E ♭ major triad is what would be called the upper structure.
A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7[ 7] (which could also be called ♭ V 7 /V, subV 7, [ 7] or V 7 / ♭ V [ 7] ).
Nardis (composition) " Nardis " is a composition by American jazz trumpeter Miles Davis. It was written in 1958, during Davis's modal period, to be played by Cannonball Adderley for the album Portrait of Cannonball. [ 1] The piece has come to be associated with pianist Bill Evans, who performed and recorded it many times.
Altered scale. In jazz, the altered scale, altered dominant scale, or Super Locrian scale ( Locrian ♭4 scale) is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and ...
The blue notes, located on the third, fifth, and seventh notes of a diatonic major scale, are flattened by a variable microtone. [99] Joe Monzo has made a microtonal analysis of the song "Drunken Hearted Man", [100] written and recorded by the delta blues musician Robert Johnson. [101]
Published. 1938. Genre. Jazz. Songwriter (s) Ray Noble. " Cherokee " (also known as " Cherokee (Indian Love Song) ") is a jazz standard written by the British composer and band leader Ray Noble and published in 1938. It is the first of five movements in Noble's "Indian Suite" (Cherokee, Comanche War Dance, Iroquois, Seminole, and Sioux Sue).