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Ruth Brown (1928–2006) Ane Brun (born 1976) Mari Kvien Brunvoll (born 1984) Joyce Bryant (1928–2022) Beryl Bryden (1920–1998) Michael Bublé (born 1975) Sarah Buechi (born 1981)
Ron Carter (born 1937) David Darling (1941–2021) Richard Davis (born 1930) David Eyges (born 1950) Nathan Gershman (1917–2008) Dave Holland (born 1946) Tristan Honsinger (born 1949) Sam Jones (1924–1981) Fred Katz (1919–2013) Diedre Murray (born 1951) Oscar Pettiford (1922–1960) Hank Roberts (born 1954) Abdul Wadud (1947–2022) Doug ...
Helio Alves (born 1966) Jimmy Amadie (1937–2013) Albert Ammons (1907–1949) Franck Amsallem (born 1961) Chris Anderson (1926–2008) Bill Anschell; Jim Aton (1925–2008) Ivar Antonsen (born 1946) Lil Hardin Armstrong (1898–1971) Dag Arnesen (born 1950) Lynne Arriale (born 1957) Roy Assaf (born 1982) Ehud Asherie (born 1979) Fahir ...
Minnie Riperton. Minnie Julia Riperton Rudolph (November 8, 1947 – July 12, 1979) [ 4][ 5] was an American soul singer and songwriter best known for her 1975 single "Lovin' You", her five-octave vocal range, and her use of the whistle register. [ 6] Born in 1947, Riperton grew up in Chicago 's Bronzeville neighborhood on the South Side.
Pat Flowers c. 1943. Ivelee Patrick Flowers (October 16, 1917 – October 6, 2000) was an American jazz pianist and singer. Born in Detroit, Flowers began his professional career as the pianist during intermissions at Uncle Tom's Cabin in the city when he was 18 years old. He moved to New York City in 1939, where he played private engagements ...
The following is a list of living centenarians (living people who have attained the age of at least 100 years) known for reasons other than just their longevity.For more specific lists of people (living or deceased) who are known for these reasons, see lists of centenarians.
Najee began his career as a teenager performing in local bands in the New York City area. After high school, Najee's first world tour was with a band from New York City called "Area Code". The band spent two years performing on military bases in Europe, Iceland, Greenland, Central America, Caribbean, and the United States on behalf of the USO.
The techniques and instrumentation of this type of performance have evolved over the 1900s, influenced by jazz at large and the individual drummers within it. Jazz required a method of playing percussion different from traditional European styles, one that was easily adaptable to the different rhythms of the new genre, fostering the creation of ...