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In recent years, Gisbert has become an active and highly respected jazz educator, teaching at festivals and conducting clinics across the United States. He also had two stints on the Jazz faculty at the University of Miami in the 2000s. He has also branched out in producing; bringing the up-and-coming conductor and composer, Chie Imiazumi, to ...
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
Milestones (instrumental composition) "Milestones" is a jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a modal style and experimentation in this piece led to the writing of "So What" from the 1959 album Kind ...
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
Miles Smiles is an album by the jazz musician Miles Davis. It was released on February 16, 1967 [1] through Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City on October 24 and October 25, 1966. [4] It is the second of six albums recorded by Davis' second great quintet, which ...
Acid jazz often contains various types of electronic composition (sometimes including sampling or live DJ cutting and scratching), but it is just as likely to be played live by musicians, who often showcase jazz interpretation as part of their performance. Richard S. Ginell of AllMusic considers Roy Ayers "one of the prophets of acid jazz". [211]
Jazz bass walking bass lines are traditionally played with pizzicato; jazz pizzicato technique, shown above, is different from traditional pizzicato technique. Middle C, pizzicato Play ⓘ Pizzicato ( / ˌ p ɪ t s ɪ ˈ k ɑː t oʊ / , Italian: [pittsiˈkaːto] ; translated as 'pinched', and sometimes roughly as 'plucked') [ 1 ] is a playing ...
Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.