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Jive talk, also known as Harlem jive or simply Jive, the argot of jazz, jazz jargon, vernacular of the jazz world, slang of jazz, and parlance of hip [1] is an African-American Vernacular English slang or vocabulary that developed in Harlem, where "jive" was played and was adopted more widely in African-American society, peaking in the 1940s.
The origin of the word jazz is one of the most sought-after etymologies in modern American English. Interest in the word – named the Word of the Twentieth Century by the American Dialect Society – has resulted in considerable research and the linguistic history is well documented. "Jazz" originated in slang around 1912 on the West Coast.
List of Generation Z slang. Appearance. "If You Know You Know" redirects here. For the Pusha T song, see If You Know You Know (song). The following is a list of slang that is used or popularized by Generation Z (Gen Z), generally those born between the late 1990s and early 2010s in the Western world.
This is a glossary of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound ...
Glossary of music terminology. A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Jazz involves "a spontaneity and vitality of musical production in which improvisation plays a role" and contains a "sonority and manner of phrasing which mirror the individuality of the performing jazz musician". [15] A broader definition that encompasses different eras of jazz has been proposed by Travis Jackson: "it is music that includes ...
As mentioned, the chapter of Stearns' Bill Robinson: Up on the Toes titled Jazz Dance (1966) describes how Robinson introduced dancing "up on the toes" to tap dance. This was a new addition to King Rastus Brown's popular "flat-footed wizardry." [3]: 187 Moving primarily from the waist down, Robinson maintained impressive control of his body.
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s [1] to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.