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A hand-written musical score for Act 2 of the opera Der Freischütz by Carl Maria von Weber, written in the 1820s. The score contains all the parts for the singers and the accompaniment parts and melodies for the orchestra. Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such ...
Her Australian number-one albums are The Sound of White (2004), On a Clear Night (2007) and The Ol' Razzle Dazzle (2012). Higgins's fourth studio album, Oz , was released in September 2014. In 2018 she released a greatest hits album called The Special Ones , and in September 2024 released the album The Second Act .
Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C, if there ...
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
Hyæna is the sixth studio album by English rock band Siouxsie and the Banshees, released on 8 June 1984 by Polydor Records.The opening track, "Dazzle", featured strings played by musicians of the London Symphonic Orchestra (LSO), a 27-piece orchestra called the "Chandos Players"; [1] it was scored from a tune that Siouxsie Sioux had composed on piano. [2]
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that ...
Free jazz, and the related form of avant-garde jazz, broke through into an open space of "free tonality" in which meter, beat, and formal symmetry all disappeared, and a range of world music from India, Africa, and Arabia were melded into an intense, even religiously ecstatic or orgiastic style of playing. [169]
[12] In jazz, 7 ♯ 9 chords, along with 7 ♭ 9 chords, are often employed as the dominant chord in a minor ii–V–I turnaround. For example, a ii–V–I in C minor could be played as: Dm 7 ♭ 5 – G 7 ♯ 9 – Cm 7. The 7 ♯ 9 represents a major divergence from the world of tertian chord theory, where chords are stacks of major and ...
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