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  2. Jazz scale - Wikipedia

    en.wikipedia.org/wiki/Jazz_scale

    The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.

  3. Jazz improvisation - Wikipedia

    en.wikipedia.org/wiki/Jazz_improvisation

    Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...

  4. Bebop - Wikipedia

    en.wikipedia.org/wiki/Bebop

    Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references ...

  5. Outside (jazz) - Wikipedia

    en.wikipedia.org/wiki/Outside_(jazz)

    Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.

  6. Take Five - Wikipedia

    en.wikipedia.org/wiki/Take_Five

    Alto sax plays main melody (A), based on E ♭-minor hexatonic blues scale, [c] in two similar 4-bar phrases: BB: Alto sax plays bridge melody (B), based on G ♭-major scale, in two similar 4-bar phrases AA: Reprise: Solo 1: Alto sax plays improvised modal [17] solo, based on E ♭-minor hexatonic blues scale, [d] over vamp [e] Solo 2

  7. Sheets of sound - Wikipedia

    en.wikipedia.org/wiki/Sheets_of_sound

    The "sheets of sound" approach can be heard as early as the 1957 collaboration with Monk in solos like the one on "Trinkle, Tinkle" from the album Thelonious Monk with John Coltrane. Coltrane's live performance of "If I Were a Bell" with the Miles Davis sextet on September 9, 1958, well exemplifies his use of the "sheets of sound" during this ...

  8. Joe Riposo - Wikipedia

    en.wikipedia.org/wiki/Joe_Riposo

    Joe Riposo. Joseph Riposo is a saxophonist, composer, arranger, and was an educator at Syracuse University. He was the Director of Jazz Studies at Syracuse University and directed the Morton B. Schiff Jazz Ensemble. He has played with Tony Bennett, Sammy Davis Jr., Nat King Cole, Ella Fitzgerald, the Mcguire Sisters, the Woody Herman Band ...

  9. Evan Parker - Wikipedia

    en.wikipedia.org/wiki/Evan_Parker

    Evan Shaw Parker (born 5 April 1944) [1] is a British tenor and soprano saxophone player who plays free improvisation. Recording and performing prolifically with many collaborators, Parker was a pivotal figure in the development of European free jazz and free improvisation. He has pioneered or substantially expanded an array of extended techniques.