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Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references ...
Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.
Kind of Blue is a studio album by the American jazz trumpeter and composer Miles Davis.It was released on August 17, 1959 through Columbia Records.For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track—"Freddie ...
Alto sax plays main melody (A), based on E ♭-minor hexatonic blues scale, [c] in two similar 4-bar phrases: BB: Alto sax plays bridge melody (B), based on G ♭-major scale, in two similar 4-bar phrases AA: Reprise: Solo 1: Alto sax plays improvised modal [17] solo, based on E ♭-minor hexatonic blues scale, [d] over vamp [e] Solo 2
The "sheets of sound" approach can be heard as early as the 1957 collaboration with Monk in solos like the one on "Trinkle, Tinkle" from the album Thelonious Monk with John Coltrane. Coltrane's live performance of "If I Were a Bell" with the Miles Davis sextet on September 9, 1958, well exemplifies his use of the "sheets of sound" during this ...
Joe Riposo. Joseph Riposo is a saxophonist, composer, arranger, and was an educator at Syracuse University. He was the Director of Jazz Studies at Syracuse University and directed the Morton B. Schiff Jazz Ensemble. He has played with Tony Bennett, Sammy Davis Jr., Nat King Cole, Ella Fitzgerald, the Mcguire Sisters, the Woody Herman Band ...