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Alfred Lion. " Watermelon Man " is a jazz standard written by Herbie Hancock for his debut album, Takin' Off (1962). Hancock's first version was recorded in a hard bop style, featuring solos by trumpeter Freddie Hubbard and saxophonist Dexter Gordon. [ 1] A single release reached the Top 100 of the Billboard pop charts.
Head Hunters is the twelfth studio album by American pianist, keyboardist and composer Herbie Hancock, released October 26, 1973, on Columbia Records. Recording sessions for the album took place in the evening at Wally Heider Studios and Different Fur Trading Co. in San Francisco, California . The album was a commercial and artistic ...
Empyrean Isles. (1964) Maiden Voyage. (1965) Empyrean Isles is the fourth studio album by American jazz pianist Herbie Hancock, released on Blue Note Records in November 1964. [ 2][ 3] The album features Hancock alongside trumpeter Freddie Hubbard, bassist Ron Carter, and drummer Tony Williams .
Winfield Scott Hancock. Winfield Scott Hancock (February 14, 1824 – February 9, 1886) was a United States Army officer and the Democratic nominee for President of the United States in 1880. He served with distinction in the Army for four decades, including service in the Mexican–American War and as a Union general in the American Civil War.
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5. The discography of the American jazz artist Herbie Hancock consists of forty-one studio albums, twelve live albums, sixty-two compilation albums, five soundtrack albums, thirty-eight physical singles, nine promo singles and four songs not released as singles, but that charted due to downloads. This article does not include re-issues, unless ...
Hancock Fabrics was founded in 1957 in Tupelo, Mississippi by Elaine (1922-2015) and Lawrence Doyce (L.D.) Hancock (1913-1998), started out as a cost-efficient retail store and offered a greater selection of merchandise to its customers at lower prices.
$10 Cowboy received a score of 85 out of 100 on review aggregator Metacritic based on five critics' reviews, which the website categorized as "universal acclaim". [1] Rachel Rascoe of The Austin Chronicle called it "ruminative, less hooky, but still a recognizable play in the Austin-area singer's traditional and soul country mix" and felt that it "slots like an exploratory studio in-betweener ...