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Sub-Saharan African music traditions. Drumming and dancing at Dakawa, Morogoro, Tanzania. In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for ...
These styles have all borrowed from African rhythms and sounds, brought over the Atlantic Ocean by enslaved Africans. African music in Sub-Saharan Africa is mostly upbeat polyrhythmic and joyful, whereas the blues should be viewed as an aesthetic development resulting from the conditions of slavery in the new world. [24]
African drum made by Gerald Achee. Drummers in Accra, Ghana. Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2] C. K.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Mbira music, like much of the sub-Saharan African music traditions is based on cross-rhythm. An example from the kutsinhira part of the traditional mbira dzavadzimu piece "Nhema Musasa" is given by David Peñalosa, who observes that the left hand plays the ostinato "bass line," while the right hand plays the upper melody.
African popular music (also styled Afropop, Afro-pop, Afro pop or African pop ), [1] like African traditional music, is vast and varied. [1] Most contemporary genres of African popular music build on cross-pollination with Western popular music. Many genres of popular music like blues, jazz, salsa, zouk, and rumba derive to varying degrees on ...
Ewe music is the music of the Ewe people of Togo, Ghana, and Benin, West Africa. Instrumentation is primarily percussive and rhythmically the music features great metrical complexity. Its highest form is in dance music including a drum orchestra, but there are also work (e.g. the fishing songs of the Anlo migrants [1] ), play, and other songs.
Sub-Saharan Africa, home to 1.2 billion people, contains less than 10% of sites inscribed on the list. Moreover, Africa has a higher percentage of World Heritages sites in danger than any other ...