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The following is a list of notable jazz guitar players, including guitarists from related jazz genres such as Western swing, Latin jazz, and jazz fusion. For an article giving a short history, see jazz guitarists .
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
Idle Moments is an album by American jazz guitarist Grant Green recorded in 1963 and released on the Blue Note label in 1965. [1] It features performances by tenor saxophonist Joe Henderson, vibraphonist Bobby Hutcherson, pianist Duke Pearson, bassist Bob Cranshaw and drummer Al Harewood .
Freshlyground's members cite diverse multi-racial, multi-cultural and multi-national backgrounds inclusive of South Africa, Mozambique and Zimbabwe.Violinist and backing vocalist Kyla-Rose Smith was associated with afrofusion dancer Gregory Maqoma's dance company, The Vuyani Dance Theatre, where she performed at the Centre National de la Danse in Paris and co-wrote music while serving as the ...
Category. : Women jazz guitarists. This is a non-diffusing subcategory of Category:Jazz guitarists. It includes jazz guitarists that can also be found in the parent category, or in diffusing subcategories of the parent.
Schwartz is best known for The Jonathan Schwartz Show, which aired Saturday evenings and Sunday afternoons on WNYC-FM, and was about half talk and half an eclectic mix of music. [4] In his talk during the shows, Schwartz would hold extended monologues concerning famous pop songwriters and singers, and jazz artists. [5]
M. Tony MacAlpine. Alex Machacek. Matteo Mancuso. John McLaughlin (musician) Pat Metheny. Mike Miller (guitarist) Roman Miroshnichenko. Giuliano Modarelli.
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and ...