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Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
Bill Evans. William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. [ 2] His use of impressionist harmony, block chords, innovative chord voicings, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Rahsaan Roland Kirk (born Ronald Theodore Kirk; August 7, 1935 [ 1] – December 5, 1977), [ 2] known earlier in his career simply as Roland Kirk, was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied ...
Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.
The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.
Jazz saxophonists are musicians who play various types of saxophones (alto saxophone, tenor saxophone, baritone saxophone etc.) in jazz and its associated subgenres. The techniques and instrumentation of this type of performance have evolved over the 20th century, influenced by both movements of musicians that became the subgenres and by particularly influential sax players who helped reshape ...
The melody is then played by the soloist. The strings provide a lush background texture. Several musical themes follow. The saxophone begins to dominate with passages of scales and interval jumps. The opening part is in G minor while the central section is in Cb major. The saxophone then intertwines the melody with lyrical themes of the strings.
Free Jazz was the first album-length improvisation at thirty-seven minutes, unheard of at the time. The original LP package incorporated Jackson Pollock's 1954 painting The White Light . [ 10 ] The cover was a gatefold with a cutout window in the lower right corner allowing a glimpse of the painting; opening the cover revealed the full artwork ...