Search results
Results From The WOW.Com Content Network
The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.
The Lick. The Lick is a lick (a stock musical phrase) that has been used on numerous jazz and pop records and is part of several classical compositions, to the point that it has been described as "the most famous jazz cliché ever". [ 1] In recent years, it has become an internet meme and is sometimes used for comedic effect. [ 2][ 3]
The blue notes, located on the third, fifth, and seventh notes of a diatonic major scale, are flattened by a variable microtone. [99] Joe Monzo has made a microtonal analysis of the song "Drunken Hearted Man", [100] written and recorded by the delta blues musician Robert Johnson. [101]
When jazz guitar players improvise, they use the scales, modes, and arpeggios associated with the chords in a tune's chord progression. The approach to improvising has changed since the earliest eras of jazz guitar. During the Swing era, many soloists improvised "by ear" by embellishing the melody with ornaments and passing notes.
The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [citation needed], although it may be found in other types of music as well. It may be derived from the major scale with a minor third, [ 1 ...
Altered scale. In jazz, the altered scale, altered dominant scale, or Super Locrian scale ( Locrian ♭4 scale) is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and ...
A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7[ 7] (which could also be called ♭ V 7 /V, subV 7, [ 7] or V 7 / ♭ V [ 7] ).
David Axelrod. Official audio. "Mercy, Mercy, Mercy" on YouTube. " Mercy, Mercy, Mercy " is a jazz song written by Joe Zawinul (lyrics by Gail Fisher) in 1966 for Cannonball Adderley and which appears on his album Mercy, Mercy, Mercy! Live at "The Club". The song is the title track of the album and became a surprise hit in February 1967. [ 1 ...