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Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk and gospel, the percussive rhythms of jazz, the lyrics of Tin Pan Alley, and the widespread use of amplification and electric ...
Major thirds tuning. Each major-thirds tuning packs the octave's 12 notes into 3 strings' 4 frets. Among alternative tunings for guitar, a major-thirds tuning is a regular tuning in which each interval between successive open strings is a major third ("M3" in musical abbreviation). [ 1] Other names for major-thirds tuning include major-third ...
The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.
For a list of the core jazz standards, see the following lists by decade: Before 1920. 1920s. 1930s. 1940s. 1950s and later. For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes . This article includes a list of related items that share the same name (or ...
The Jazz Theory Book is an influential work by Mark Levine, first published in 1995. [1] The book is a staple in jazz theory, [2] and contains a wide range of jazz concepts from melodic minor scales and whole tone scale to bebop scales, diminished scales and "Coltrane" reharmonization. Levine assumes that the reader can read music, and gives ...
Along with other improvisers, such as saxes and piano players, bebop-era jazz guitarists began to improvise over the chord changes using scales (whole tone scale, chromatic scale, etc.) and arpeggios. [9] Jazz guitar players tend to improvise around chord/scale relationships, rather than reworking the melody, possibly due to their familiarity ...
Attila Zoller. Categories: Free jazz musicians by instrument. Jazz guitarists by genre.
Altered scale. In jazz, the altered scale, altered dominant scale, or Super Locrian scale ( Locrian ♭4 scale) is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and ...