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Dazzle Ships has nevertheless appeared in lists of 1983's best albums; The A.V. Club named it one of the year's "Great but Underappreciated Records". [ a ] It was included in that same publication's "Hall of Fame", [ 12 ] as well as the Chicago Tribune ' s "10 Essential New Wave Albums", [ 50 ] the 1980s edition of Uncut ' s "Ultimate Record ...
Dave Douglas chronology. Soul on Soul. (2000) Leap of Faith. (2000) A Thousand Evenings. (2001) Leap of Faith is the 15th album by trumpeter Dave Douglas. It was released on the Arabesque label in 2000 and features performances by Douglas, Chris Potter, James Genus, and Ben Perowsky.
Chicago is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse.Set in Chicago in the jazz age, the musical is based on a 1926 play of the same title by Maurine Dallas Watkins about actual criminals and crimes on which she reported.
The ii–V–I progression ("two–five–one progression") (occasionally referred to as ii–V–I turnaround, and ii–V–I) is a common cadential chord progression used in a wide variety of music genres, including jazz harmony. It is a succession of chords whose roots descend in fifths from the second degree (supertonic) to the fifth degree ...
Blue World. (2019) Both Directions at Once: The Lost Album is a studio album recorded by saxophonist John Coltrane for Impulse! Records that was first released in 2018. [1] The recordings were made in 1963 during Coltrane's Classic Quartet period and lost for decades.
UK 1 – November 1983, Switzerland 1 – February 1984, Germany 1 – February 1984, TOTP 1, KROQ 1 of 1984, France 2 – November 1983, Norway 2 – February 1984, Sweden (alt) 4 – March 1984, Austria 4 – March 1984, Netherlands 5 – January 1984, Canada 7 – April 1984, US BB 10 – February 1985, US BB 11 of 1985, Italy 11 of 1984 ...
Backdoor compared with the dominant (front door) in the chromatic circle: they share two tones and are transpositionally equivalent. In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker.
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...