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Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.
For instance, in example one above (C 7 ♯ 9) the triad of E ♭ major is a (compound) minor 3rd away from C (root of the bottom chord). Thus, this upper structure can be called upper structure flat three, or US ♭ III for short. Other possible upper structures are: USII – e.g. D major over C 7, resulting in C 13 ♯ 11
The tritone substitution is a common chord substitution found in both jazz and classical music. Where jazz is concerned, it was the precursor to more complex substitution patterns like Coltrane changes. Tritone substitutions are sometimes used in improvisation —often to create tension during a solo.
Musical improvisation. Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [ 1] Sometimes musical ideas in improvisation ...
Comping (jazz) "Charleston" rhythm, simple rhythm commonly used in comping. [ 1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [ 2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players ( piano or organ), guitar players, or drummers use to support a musician's ...
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and ...
In music and jazz improvisation, a melodic pattern (or motive) is a cell or germ serving as the basis for repetitive pattern. It is a figure that can be used with any scale. It is used primarily for solos because, when practiced enough, it can be extremely useful when improvising. "Sequence" refers to the repetition of a part at a higher or ...