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Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
The music. Mingus Moves (Atlantic SD 1653) is one of the late works of American jazz bassist, composer, and bandleader Charles Mingus. He hired three new musicians for the recording: Don Pullen on piano; Ronald Hampton on trumpet, and George Adams on tenor saxophone. Drummer Dannie Richmond, a stalwart of Mingus's bands in the 1950s and '60s ...
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
Razzle Dazzle (album) Razzle Dazzle. (album) Razzle Dazzle is the seventeenth album by Japanese rock band Buck-Tick, released on October 13, 2010. [1] Graphic artist Aquirax Uno provided the illustrations for the album's cover. [2] The limited edition came with a DVD of music videos and an interview. It reached number six on both the Oricon ...
A commercial success, There's a Riot Goin' On topped the Billboard Pop Album and Soul Album charts, while its lead single "Family Affair" reached number one on the Pop Singles chart. The album was eventually certified platinum by the Recording Industry Association of America (RIAA) for sales of at least one million copies in the US.
There is a best time of day to work out and it may lead to better results. Claire Zulkey, a 44-year-old Chicago-area freelance writer, has a well-established morning routine: She gets her kids off ...
Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
The Monthly Film Bulletin wrote, "The cars, of course, steal all the thunder, but one is a little disappointed to find the drivers and their private lives so little elevated beyond the level of pulp fiction. Still, as a spectacle Grand Prix is on the whole such a success that the fact it isn't anything more than a spectacle hardly matters."