Search results
Results From The WOW.Com Content Network
Jazz. Occupation (s) Pianist, composer, arranger, conductor. Instrument. Piano. Years active. 1940s - 2015. Ralph Simon Sharon (September 17, 1923 – March 31, 2015) was a British-American jazz pianist and arranger. [1] He is best known for working with Tony Bennett as his pianist on numerous recordings and live performances.
Michael G. Jackson. The Dazz Band is an American R&B / funk band most popular in the early 1980s. Emerging from Cleveland, Ohio, the group's biggest hit songs include "Let It Whip" (1982), "Joystick" (1983), and "Let It All Blow" (1984). The name of the band is a portmanteau of the description "danceable jazz". [1]
A spasm band is a musical group that plays a variety of Dixieland, trad jazz, jug band, or skiffle music. The term "spasm" applied to any band (often made up of children) who made musical instruments out of objects not usually employed for such. The first spasm bands were formed on the streets of New Orleans in the late eighteen hundreds, [1 ...
Cantaloop (Flip Fantasia) " Cantaloop (Flip Fantasia) " is a song by British jazz-rap group Us3, originally released in October 1992 by Blue Note Records as the lead single from the group's debut album, Hand On the Torch (1993). The song was recorded as a demo a year before the group's first release and features a sample of Herbie Hancock 's ...
In recent years, Gisbert has become an active and highly respected jazz educator, teaching at festivals and conducting clinics across the United States. He also had two stints on the Jazz faculty at the University of Miami in the 2000s. He has also branched out in producing; bringing the up-and-coming conductor and composer, Chie Imiazumi, to ...
The music. Mingus Moves (Atlantic SD 1653) is one of the late works of American jazz bassist, composer, and bandleader Charles Mingus. He hired three new musicians for the recording: Don Pullen on piano; Ronald Hampton on trumpet, and George Adams on tenor saxophone. Drummer Dannie Richmond, a stalwart of Mingus's bands in the 1950s and '60s ...
In the 1980s in jazz, the jazz community shrank dramatically and split. A mainly older audience retained an interest in traditional and straight-ahead jazz styles. Wynton Marsalis strove to create music within what he believed was the tradition, creating extensions of small and large forms initially pioneered by such artists as Louis Armstrong ...
1950s in jazz. By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly ...