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Formed in 1998 in Cebu by Fritz Labrado, Jovan Mabini and Mike Manaloto, the word Cueshé is a portmanteau of "Cue", from banana cue; a snack delicacy in the Philippines, which are skewered bananas coated with caramel, and the pronoun "shé" (pronounced shay) is a reference to their former vocalist, which is a female (she) who joined in 1999.
The song's lyrics tell of a traveling man who detours to a romance in a motel and ends up never returning home. [4] The twists of the song's lyrics (the protagonist, just 24 hours from reaching home, falls in love with a woman when he stops driving for the night, leaving his current partner twisting in the wind) are echoed in the music's tonal ambiguity, a common feature of Bacharach's ...
Baby Shark. " Baby Shark " is a children's song associated with a dance involving hand movements dating back to the late 20th century. In 2016, "Baby Shark" became very popular when Pinkfong, a South Korean entertainment company, released a version of the song on June 17, 2016, with a YouTube music video which went viral in social media, online ...
"So Sick" is a song by American singer-songwriter Ne-Yo, written alongside Norwegian production duo Stargate for Ne-Yo's debut studio album, In My Own Words (2006). Produced by Stargate, the song was released as the second single from the album on November 21, 2005, and received favorable reviews from music critics .
YouTube. After meeting then 15-year-old Britney Spears, who was newly signed at Jive Records, Martin went back to Stockholm and "worked on the song a little more with her in mind, made a copy, and ...
Ashlyn Harris was feeling the love alongside girlfriend Sophia Bush in Paris last month.. Harris, 38, took to social media on Sunday, June 2, to share a handful of her favorite memories from the ...
The most common are Celtic sea salt, Fleur de Sel from the French sea, and Hawaiian sea salt. Sea salt is less refined than conventional table salt, with retaining traces of minerals and ...
Muse Sick-n-Hour Mess Age is the fifth studio album by American hip hop group Public Enemy, released on August 23, 1994, by Def Jam Recordings. The title is a reverse mondegreen of the phrase "music in our message" (emphasizing that their message is more important than the music, rather than the typical "message in our music").