Search results
Results From The WOW.Com Content Network
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
The following is a list of jazz-influenced classical compositions. Classical music has often incorporated elements or material from popular music of the composer's time. Jazz has influenced classical music, particularly early and mid-20th-century composers, including Maurice Ravel. "While Western classical music emphasizes structure, written ...
Trombone, cello. Years active. 1950s–2016. David Nathaniel Baker Jr. (December 21, 1931 – March 26, 2016) was an American jazz composer, conductor, and musician from Indianapolis, as well as a professor of jazz studies at the Indiana University Jacobs School of Music. Baker is best known as an educator and founder of the jazz studies program.
Ray Ricker. Ramon "Ray" Ricker is a classical and jazz performer, music educator, composer, arranger and author. Ricker was professor of saxophone, director of the Institute for Music Leadership and senior associate dean for professional studies at the Eastman School of Music of the University of Rochester [1] until his retirement in 2013.
Many "jazz scales" are common scales drawn from Western European classical music, including the diatonic, whole-tone, octatonic (or diminished), and the modes of the ascending melodic minor. All of these scales were commonly used by late nineteenth and early twentieth-century composers such as Rimsky-Korsakov , Debussy , Ravel and Stravinsky ...
Symmetric scale. In music, a music scale can have certain symmetries, namely translational symmetry and inversional or mirror symmetry. The most prominent examples are scales which equally divides the octave. [1] The concept and term appears to have been introduced by Joseph Schillinger [1] and further developed by Nicolas Slonimsky as part of ...
Concerto in F (Gershwin) Concerto in F is a composition by George Gershwin for solo piano and orchestra which is closer in form to a traditional concerto than his earlier jazz-influenced Rhapsody in Blue. It was written in 1925 on a commission from the conductor and director Walter Damrosch. A full performance lasts around half an hour.
In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality. [2]