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Virtuoso. A virtuoso (from Italian virtuoso, Italian: [virˈtwoːzo] or Italian: [virtuˈoːso]; Late Latin virtuosus; Latin virtus; 'virtue', 'excellence' or 'skill') is an individual who possesses outstanding talent and technical ability in a particular art or field such as fine arts, music, singing, playing a musical instrument, or composition.
Glossary of music terminology. A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Concerto. A concerto ( / kənˈtʃɛərtoʊ /; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble.
Glenn Gould grants listeners the right to manipulate recorded sound. Gould was then a world-famous exponent of the music of J.S. Bach. His debut recording on Columbia, released in 1956, was an ...
Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance. Theatre, music, dance, object manipulation, and other kinds of performances are present in all human cultures. The history of music and dance date to pre-historic times whereas circus skills date to at least ...
In music, a cadenza, (from Italian: cadenza [kaˈdɛntsa], meaning cadence; plural, cadenze [kaˈdɛntse]) is, generically, an improvised or written-out ornamental passage played or sung by a soloist (s), usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or ...
Concerto grosso. big concert. A Baroque form of concerto, with a group of solo instruments. Da capo aria. from the head aria. A three-section musical form. Dramma giocoso. jocular drama. A form of opera.
One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).