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Perfecto "Perf" de Castro (born August 15, 1974) is a Filipino musician currently based in Los Angeles, California [2] best known for having been a celebrated fixture in the Philippine alternative rock scene during the 1990s. During the course of that decade, he was one of the original members of the alternative rock band Rivermaya, [3] founded ...
Video camera tubes were devices based on the cathode-ray tube that were used in television cameras to capture television images, prior to the introduction of charge-coupled device (CCD) image sensors in the 1980s. Several different types of tubes were in use from the early 1930s, and as late as the 1990s. In these tubes, an electron beam was ...
The Micro Four Thirds system cameras and lenses perform automatic distortion correction using correction parameters that are stored in each lens's firmware, and are applied automatically by the camera and raw converter software. The optics of most of these lenses feature substantially more distortion than their counterparts in systems that do ...
Two employees are suing the Walt Disney Company, saying the company moved their jobs from California to Florida, only for Disney to cancel the project and move them back, hurting them financially ...
The creator behind the TikTok account Justine’s Camera Roll shared a video, in which she later called an “obvious joke,” claiming to be Freeman’s niece. The 43-second clip used an AI ...
Copa América: Internet roasts Fox for bizarre USA-Uruguay camera angle, prompting a change mid-game: 'Are they using a blimp?'
Diagram illustrating the flange focal length of an SLR–type and a mirrorless–type camera. For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus or register, depending on the usage and source) of a lens mount system is the distance from the mounting ...
336 p. Guide to the Perfect Latin American Idiot (Spanish: Manual del perfecto idiota latinoamericano) is an essay by Plinio Apuleyo Mendoza, Carlos Alberto Montaner and Álvaro Vargas Llosa published in 1996. [1] The authors analyze Latin American history and the way of thinking of both the Latin American political elites and intellectuals.