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The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood ...
Paul Contos has served as saxophone clinician with The Monterey Jazz Festival for 30 yrs, as Director of the Next Generation Jazz Orchestra & Monterey County All-Stars for 20 yrs, and as Education Director for the Monterey Jazz Festival (2011-2019) and in 2015 was awarded the Champion of the Arts: Educator Award by the Monterey Arts Council. [8]
While initially focused on acoustic jazz, the festival's 1969 program was an experiment in fusing jazz, soul and rock music and audiences. Ocean Blue Jazz Festival mid-1990s–early 2000s
Complete Live at the Pershing Lounge 1958 is an album by jazz pianist Ahmad Jamal. It contains performances recorded at The Pershing Lounge in Chicago, Illinois, in 1958. Some of the performances were released on the albums At the Pershing: But Not for Me and At the Pershing, Vol. 2. [3]
Mingus at Monterey is a live album by the jazz bassist and composer Charles Mingus, recorded in 1964 at the Monterey Jazz Festival and originally released on Mingus's short-lived mail-order Jazz Workshop label but subsequently released on other labels.
Live at the 1963 Monterey Jazz Festival is a live album by Miles Davis recorded on September 20, 1963 and released July 31, 2007. Davis searched for new musicians for his quintet , after splitting with saxophonist John Coltrane in 1960.
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