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On the Traditional Jazz Albums list Bennett broke the record for the most No. 1s in the 54-year history of the chart with 15 number one records, while on the latter chart Bennett reached the top for the tenth time tying him with Harry Connick Jr. for the third-most No. 1s since the list began in 1993. [81]
A jazz term that instructs a lead player or rhythm section member to play an improvised solo cadenza for one or two measures (sometimes abbreviated as "break"), without any accompaniment. The solo part is often played in a rhythmically free manner, until the player performs a pickup or lead-in line, at which time the band recommences playing in ...
This is a glossary of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound ...
At a minimum, jazz blues usually include a ii–V progression in place of the simple V chord and a I–VI/vi–ii–V turnaround at the end of the form. Jazz-funk: Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds, and an early prevalence of analog synthesizers. 1970s -> Jazz fusion
Chicago is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse.Set in Chicago in the jazz age, the musical is based on a 1926 play of the same title by Maurine Dallas Watkins about actual criminals and crimes on which she reported.
Jazz elements such as improvisation, rhythmic complexities and harmonic textures were introduced to the genre and consequently had a big impact in new listeners and in some ways kept the versatility of jazz relatable to a newer generation that did not necessarily relate to what the traditionalists call real jazz (bebop, cool and modal jazz). [200]
Rhythm changes is a common 32- bar jazz chord progression derived from George Gershwin 's " I Got Rhythm ". The progression is in AABA form, with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II ...
The term outside is commonly used by jazz musicians playing in a post-bop idiom, but despite its frequent use in musicians’ jargon there is no set or standardized definition for it. As the term is commonly understood, outside is not a direct synonym to terms such as free improvisation , polytonality or atonality but a musical phenomenon in ...