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The Night Has a Thousand Eyes (jazz standard) " The Night Has a Thousand Eyes " is a song composed by Jerry Brainin, with lyrics by Buddy Bernier. [1] The song was written for and performed in the 1948 film Night Has a Thousand Eyes. The song has also been recorded by a number of artists since its introduction, including John Coltrane, Sonny ...
1924 – "Fascinating Rhythm" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It was first introduced by Cliff Edwards, Fred Astaire and Adele Astaire in the Broadway musical Lady Be Good. Cliff Edwards recorded a version of "Fascinating Rhythm" in 1924 that featured an early example of scat singing.
1930. George Gershwin 's songs have gained lasting popularity among both jazz and pop audiences. Among standards composed by him are "The Man I Love" (1924), "Embraceable You" (1930), "I Got Rhythm" (1930) and "Summertime" (1935). Rhythm changes in the key of C. The chord progression from Gershwin's "I Got Rhythm".
Frank Eyton. "Body and Soul" is a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. It was also used as the musical theme and underscoring in the American film noir boxing drama Body and Soul .
"Freddie Freeloader" is a composition by Miles Davis and is the second track on his 1959 album Kind of Blue. The piece takes the form of a twelve-bar blues in B ♭, but the chord over the final two bars of each chorus is an A ♭ 7, not the traditional B ♭ 7 followed by either F7 for a turnaround or some variation of B ♭ 7 for an ending.
Ja-Da. 1918 sheet music. " Ja-Da (Ja Da, Ja Da, Jing, Jing, Jing!) " is a hit song written in 1918 by Bob Carleton. The title is sometimes rendered simply as " Jada ." The song has flourished through the decades as a jazz standard . In his definitive American Popular Songs, Alec Wilder writes about the song's simplicity:
Soft Winds. " Soft Winds " is a 1940 jazz standard composed by Benny Goodman, with lyrics by Fred Royal. [1] Charlie Parker performed it regularly in the 1940s. In 1961, jazz harpist Dorothy Ashby released an album of the same name with the song as the title track, recorded at the Plaza Sound Studios in New York City.
The song was written in 1931 by John Klenner with lyrics by Sam M. Lewis. Although introduced by Red McKenzie and His Orchestra in October 1931, it first became a hit when singer Russ Columbo performed it with Leonard Joy ’s Orchestra in 1932. It charted again the same year in a version by Ben Selvin and His Orchestra and has been recorded ...