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Donna Lee is a bebop jazz standard attributed to Charlie Parker, but possibly composed by drummer Norman "Tiny" Khan and taught to Miles Davis. Learn about its authorship, recordings, name origin, and Grammy award.
Learn about jazz chords, how they are used in composition, improvisation and harmony, and how they differ from classical and pop chords. Find out the intervals, extensions and nomenclature of jazz chords, and see examples of common and altered chords.
Stablemates is a jazz standard written by Benny Golson in 1955 and recorded by Miles Davis and others. Learn about its background, musical composition and notable recordings.
Though creating or featuring chromaticism, the bass (if the roots of the chords), and often the melody, are pentatonic. [ 6 ] (major pentatonic on C: C, D, E, G, A ) Contrastingly, Averill argues that the progression was used because of the potential it offered for chromatic pitch areas.
Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II 7 ...
Ralph Sharon was a British-American jazz pianist and arranger who worked with Tony Bennett for over 50 years. He found the song "I Left My Heart in San Francisco" for Bennett and played with him on many Grammy Award-winning recordings and live performances.
Coltrane used the "sheets of sound" lines to liquidise and loosen the strict chords, modes, and harmonies of hard bop, whilst still adhering to them (at this stage in his musical development). Playing with the Miles Davis groups, in particular, gave Coltrane the free musical space in which to apply harmonic ideas to stacked chords and ...
The piece was used in a Yardley commercial and was originally listed on the album's master tape as "TV Jingle" until a friend of Hancock's sister came up with the new name. [4] In the liner notes for the Maiden Voyage album, Hancock states that the composition was an attempt to capture "the splendor of a sea-going vessel on its maiden voyage".