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Those who really want a peek at what Back 2 The Future: The Musical might look like can satisfy that curiosity with "21st Century," another Doc Brown solo number that features numerous shout-outs ...
Laurence Olivier Award for Best New Musical. Back to the Future: The Musical is a musical with music and lyrics by Alan Silvestri and Glen Ballard and a book by Bob Gale. It is adapted from the 1985 film Back to the Future by Robert Zemeckis and Gale. The show features original music, as well as songs featured in the film ("The Power of Love ...
Back to the Future: Music from the Motion Picture Soundtrack is the soundtrack album to the film of the same name, released on July 8, 1985, by MCA Records.The soundtrack includes two tracks from American composer Alan Silvestri's score for the film, two pop tracks from American rock band Huey Lewis and the News, two songs played by the fictional Marvin Berry and The Starlighters, one played ...
L (3/5) [5] Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future is the sixth solo studio album by American hip hop musician Guru. It was released on July 31, 2007 via 7 Grand Records, making it the fourth and final installment in the rapper's Jazzmatazz series. Production was handled entirely by Solar, who also served as ...
"The Power of Love" is a 1985 single by Huey Lewis and the News, written for the soundtrack of the 1985 blockbuster film Back to the Future. The song became the band's first number-one hit on the U.S. Billboard Hot 100 [4] [5] and their second number-one hit on the U.S. Mainstream Rock chart.
Jazz. Occupation (s) Pianist, composer, arranger, conductor. Instrument. Piano. Years active. 1940s - 2015. Ralph Simon Sharon (September 17, 1923 – March 31, 2015) was a British-American jazz pianist and arranger. [1] He is best known for working with Tony Bennett as his pianist on numerous recordings and live performances.
Dizzy Gillespie 1955 "Manteca" is one of the earliest foundational tunes of Afro-Cuban jazz.Co-written by Dizzy Gillespie, Chano Pozo and Gil Fuller in 1947, it is among the most famous of Gillespie's recordings (along with the earlier "A Night in Tunisia") and is "one of the most important records ever made in the United States", according to Gary Giddins of The Village Voice. [1] "
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...