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Jazz is a perfume for men by Yves Saint Laurent introduced in 1988. [1] [2] The black and white packaging and flacon were designed to resemble piano keys . [1] [2] A flanker Live Jazz was introduced in 1998.
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
Free jazz. Free jazz, or Free Form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
Opium (perfume) Opium. (perfume) Opium is an Oriental-spicy [1] perfume created for fashion brand Yves Saint Laurent (YSL) by perfumer Jean Amic and Jean-Louis Sieuzac of Roure, first marketed in 1977. [2] Its top notes are a mixture of fruit and spices, with mandarin orange, [3] plum, clove, coriander and pepper, [2] as well as bay leaf. [4]
Perfume ( UK: / ˈpɜːfjuːm /, US: / pərˈfjuːm /; French: parfum) is a mixture of fragrant essential oils or aroma compounds (fragrances), fixatives and solvents, usually in liquid form, used to give the human body, animals, food, objects, and living-spaces an agreeable scent. [1]
The Jazz Age was a period in the 1920s and 30s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in wider ...
Jeremy Fragrance. Daniel Schütz (born Daniel Sredzinski; February 5, 1989), better known as Jeremy Fragrance, [ 1] is a German social media personality and businessman. He gained international recognition through numerous online video clips in which he introduces and comments on, among other things, perfumes and fragrances.
It is debatable whether Marsalis' critical and commercial success was a cause or a symptom of the reaction against Fusion and Free Jazz and the resurgence of interest in the kind of jazz pioneered in the 1960s (particularly modal jazz and post-bop); nonetheless there were many other manifestations of a resurgence of traditionalism, even if ...