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Totem poles (Haida: gyáaʼaang) [ 1 ] are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the ...
David A. Boxley (born 1952) is an American artist from the Tsimshian tribe in Alaska, most known for his prolific creation of Totem Poles and other Tsimshian artworks.
Red cedar totem by chief Tony Hunt. Kwakwaka'wakw art describes the art of the Kwakwaka'wakw peoples of British Columbia. It encompasses a wide variety of woodcarving, sculpture, painting, weaving and dance. Kwakwaka'wakw arts are exemplified in totem poles, masks, wooden carvings, jewelry and woven blankets.
[30] Kwakwakaʼwakw arts consist of a diverse range of crafts, including totems, masks, textiles, jewellery and carved objects, ranging in size from transformation masks to 40 ft (12 m) tall totem poles. Cedar wood was the preferred medium for sculpting and carving projects as it was readily available in the native Kwakwa̱ka̱ʼwakw regions.
The conservation and restoration of totem poles is a relatively new topic in the field of art conservation. Those who are custodians of totem poles include Native American communities, museums, cultural heritage centers, parks or national parks, camp grounds or those that belong to individuals. Conservation activities include the historical research and context of totem poles, studying ...
The Nisga'a and Haida Crest Poles of the Royal Ontario Museum are a collection of four large totem poles (sometimes referred to as "crest poles"), hand carved from western red cedar by the Nisga’a people and Haida people of British Columbia 's coast.
While ill with pneumonia and unable to fish, he began to carve miniature totem poles. His interest in art was piqued, and he enrolled in the Institute of American Indian Arts in Santa Fe, New Mexico. Since then, Jackson's work has included large totem poles, canoes, carved doors, wood panel clan crests, masks, and jewelry.
Hart discovered his passion for Haida art in high school. He began carving seriously in 1979. Hart first apprenticed with Robert Davidson in 1978 to help construct a set of totem poles. From 1980 to 1984 he became an assistant to Bill Reid in Vancouver, who by then was too seriously afflicted with Parkinson's disease to do much of his own carving.
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