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Minimal music (also called minimalism) [2][3] is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units.
At a minimum, jazz blues usually include a ii–V progression in place of the simple V chord and a I–VI/vi–ii–V turnaround at the end of the form. Jazz-funk: Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds, and an early prevalence of analog synthesizers. 1970s -> Jazz fusion
A jazz term that instructs a lead player or rhythm section member to play an improvised solo cadenza for one or two measures (sometimes abbreviated as "break"), without any accompaniment. The solo part is often played in a rhythmically free manner, until the player performs a pickup or lead-in line, at which time the band recommences playing in ...
combo. An abbreviation for "combination", which is used in two senses in jazz and pop music. "Combo" can be the equivalent of "group" or "ensemble" (e.g. "a jazz combo"). As well, "combo" refers to a "combination amplifier", so named because it includes an amplifier and a speaker in a single cabinet. comping.
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
Free jazz, and the related form of avant-garde jazz, broke through into an open space of "free tonality" in which meter, beat, and formal symmetry all disappeared, and a range of world music from India, Africa, and Arabia were melded into an intense, even religiously ecstatic or orgiastic style of playing. [169]
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
Progressive jazz is a form of big band that is more complex [12] or experimental. [1] It originated in the 1940s with arrangers who drew from modernist composers such as Igor Stravinsky and Paul Hindemith. [12] [nb 1] Its "progressive" features were replete with dissonance, atonality, and brash effects. [14]