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Blue World. (2019) Both Directions at Once: The Lost Album is a studio album recorded by saxophonist John Coltrane for Impulse! Records that was first released in 2018. [1] The recordings were made in 1963 during Coltrane's Classic Quartet period and lost for decades.
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
Vijay Iyer ([ˌvɪdʒeɪ ˈaɪjər]; [1] born October 26, 1971) is an American composer, pianist, bandleader, producer and writer based in New York City. The New York Times has called him a "social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway". [2]
The we’re-never-going-to-play-together-again-to-lucrative-reunion trail is well-worn at this point — just ask such famously feuding acts as the Eagles, Guns ‘N Roses, Pixies and, most ...
The New York City Jazz Record. The New York City Jazz Record is a monthly New York City based publication that includes features, reviews and concert announcements regarding jazz music. It is available in print form (black and white hardcopy) as well as online at www.nycjazzrecord.com (in full color). It was launched in May 2002 by co-founders ...
Jazztrax, formally known as the Jazztrax Showcase of the Absolute Newest, is a weekly countdown of America's Top 20 Smooth Jazz singles by Art Good. The show was founded in 1985 by Good in San Diego and is currently broadcast out of the San Fernando Valley, the heart of smooth jazz. Each week, Art has an interview with a guest performer, while ...
Professional ratings. Freedom Jazz Dance: The Bootleg Series, Vol. 5 is a 3-CD box set by the Miles Davis Quintet compiling studio recordings by jazz trumpeter Miles Davis recorded between 1966 and 1968. [8] The album contains remastered versions, alternate takes, and conversations among the musicians.
Jazz began to get a reputation as immoral, and many members of the older generations saw it as a threat to the old cultural values by promoting the decadent values of the Roaring 20s. Henry van Dyke of Princeton University wrote, "... it is not music at all. It's merely an irritation of the nerves of hearing, a sensual teasing of the strings of ...