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Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
The toy that was to become the Autobot Jazz was originally released as part of the Japanese Diaclone series in 1983. [11] He was later released in 1984 by Hasbro in the U.S. under the Transformers brand. [1] According to original tech spec notes written by Bob Budiansky found at Iacon One in 2006, the original name for Jazz was Jazzz. Original ...
Birth of the Cool. (1957) Basic Miles. (1973) Birth of the Cool is a compilation album by the American jazz trumpeter and bandleader Miles Davis, released in February 1957 by Capitol Records. [nb 1] It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950. [5]
One musician who has come up as an influence for many is jazz bass clarinetist, saxophonist, and flutist Eric Dolphy. Below are some quotations from a few musicians about their first impressions ...
Dazzle Ships met with critical praise upon its initial re-release in 2008. [37] [38] Tom Ewing of Pitchfork wrote, "Luckily, you don't need a contrarian streak to love it... history has done its own remix job on Dazzle Ships, and the result is a richer, more unified album than anyone in 1983 could have imagined."
October 16 – Jiří Jelínek, jazz trumpeter, singer and artist, 62; October 20 – Budd Johnson, jazz musician, 73; October 26 – John Woods Duke, composer, 85; November 8 – Carl Gustav Sparre Olsen, violinist and composer, 81; November 16 – Leonard Rose, cellist, 66; November 20 – Alexander Moyzes, Slovak composer, 78
Brian McKnight singles chronology. "The Only One for Me" (1998) " Back at One " (1999) "6, 8, 12" (2000) Music video. "Back at One" on YouTube. " Back at One " is a song written and performed by American recording artist Brian McKnight, taken from his fifth studio album of the same name (1999). The single was released on August 9, 1999.
Acid jazz often contains various types of electronic composition (sometimes including sampling or live DJ cutting and scratching), but it is just as likely to be played live by musicians, who often showcase jazz interpretation as part of their performance. Richard S. Ginell of AllMusic considers Roy Ayers "one of the prophets of acid jazz". [211]