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Live from Emmet's Place is a weekly video-streaming broadcast and concert produced by Emmet Cohen consisting of Cohen and his trio along with invited guests. Guests on Live From Emmet’s Place represent a multigenerational cross section of jazz from the jazz masters such as Houston Person, Joe Lovano, Brad Mehldau, Christian McBride, Eddie Henderson, Steve Davis, Sheila Jordan and Victor ...
Kansas City jazz is popular in these cities. Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. The hard- swinging, bluesy transition style is bracketed by Count Basie, who in 1929 ...
Cantaloop (Flip Fantasia) " Cantaloop (Flip Fantasia) " is a song by British jazz-rap group Us3, originally released in October 1992 by Blue Note Records as the lead single from the group's debut album, Hand On the Torch (1993). The song was recorded as a demo a year before the group's first release and features a sample of Herbie Hancock 's ...
Owen. Cap'n Jazz. American Football. Their / They're / There. Lies. Website. owenmusic.com. Mike Kinsella (born March 4, 1977) is an American musician and singer-songwriter. Having been involved in many Illinois -based bands, he is best known as the lead vocalist and guitarist of the emo band American Football.
Machito, jazz singer and bandleader; Fats Navarro (1923–1950), American jazz trumpet player; a pioneer of the bebop style of jazz improvisation in the 1940s; of Cuban-Black-Chinese descent [90] Chico O'Farrill, jazz trumpeter; composer, arranger; Arturo Sandoval, jazz trumpeter and pianist; composer; Mongo Santamaría, Latin jazz musician ...
Label. RCA. Songwriter (s) Billy Taylor. " I Wish I Knew How It Would Feel to Be Free " is a jazz piece written by American musician Billy Taylor, originally recorded as an instrumental and later released as a song with lyrics by Dick Dallas. Taylor's original version ("I Wish I Knew") was recorded on November 12, 1963, and released on his ...
Allmusic's Matt Collar rated the album four stars and stated, "Loose, swinging, funky, and spirited, Live at the House of Tribes is an absolute joy." [3] Jazz critic Ben Ratliff of the New York Times says of the album, "Throughout the record, the playing almost never goes outside of tonality, and the rhythm section holds fast to swing.
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