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Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
Post-bop is a jazz term with several possible definitions and usages. [1] It has been variously defined as a musical period, a musical genre, a musical style, and a body of music, sometimes in different chronological periods, depending on the writer. Musicologist Barry Kernfeld wrote in The New Grove Dictionary of Music and Musicians that post ...
In jazz music, a quintet is group of five players, usually consisting of two of any of the following instruments, guitar, trumpet, saxophone, clarinet, flute or trombone, in addition to those of the traditional jazz trio – piano, double bass, drums. [citation needed] In some modern bands there are quintets formed from the same family of ...
Glossary of music terminology. A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s [1] to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
combo. An abbreviation for "combination", which is used in two senses in jazz and pop music. "Combo" can be the equivalent of "group" or "ensemble" (e.g. "a jazz combo"). As well, "combo" refers to a "combination amplifier", so named because it includes an amplifier and a speaker in a single cabinet. comping.
Vince Guaraldi was contacted by television producer Lee Mendelson to compose music for a documentary on the comic strip Peanuts and its creator, Charles M. Schulz. Although the special went unaired due to Mendelson's failure to secure a sponsor, Guaraldi's selections were released in 1964 as Jazz Impressions of A Boy Named Charlie Brown. Most ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details ...