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Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
Miles Smiles is an album by the jazz musician Miles Davis. It was released on February 16, 1967 [1] through Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City on October 24 and October 25, 1966. [4] It is the second of six albums recorded by Davis' second great quintet, which ...
Harriott's free-form compositions normally formed only a portion of live gigs. Indeed, the final album recorded by the quintet, 1964's High Spirits (Columbia), was a straight-ahead jazz interpretation of compositions from the musical of that name, which was based on the Noël Coward play Blithe Spirit. [5]
Eric Allan Dolphy Jr. (June 20, 1928 – June 29, 1964) was an American jazz multi-instrumentalist, composer, and bandleader. Primarily an alto saxophonist, bass clarinetist, and flautist, [1] Dolphy was one of several multi-instrumentalists to gain prominence during the same era. His use of the bass clarinet helped to establish the ...
4 figure is known as tresillo in Afro-Cuban music and is the duple-pulse correlative of the 12 8 figure. [6] This may have been the first overt expression of systemic, African-based cross-rhythm used by a straight ahead jazz group. During Davis’s first trumpet solo, Williams shifts to a 4 4 jazz ride pattern while Carter continues the 12 8 ...
Hard bop was prevalent within jazz for about a decade spanning from 1955 to 1965, [161] but has remained highly influential on mainstream [159] or "straight-ahead" jazz. It went into decline in the late 1960s through the 1970s due to the emergence of other styles such as jazz fusion, but again became influential following the Young Lions ...
Regina Carter is a master of improvisational jazz violin. Though her work draws upon a wide range of musical influences – including Motown, Afro-Cuban, Swing, Bebop, Folk, and World – she has crafted a signature voice and style. ... Carter's performances highlight the often overlooked potential of the jazz violin for its lyric, melodic, and ...
The Rolling Stone Jazz Record Guide. [3] The Penguin Guide to Jazz Recordings. [4] Una Mas, titled Una Mas (One More Time) on the front cover, is a jazz album by trumpeter Kenny Dorham and his quintet, released in 1963 on Blue Note as BLP 4127 and BST 84127. The album would be the next-to-last studio session led by the trumpeter. [5]