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The Chords, a South East London group, formed in 1978 when singer/guitarist Billy Hassett and his bassist cousin, Martin Mason, advertised for musicians in the NME and found guitarist and songwriter, Chris Pope. [1] Original drummer Paul Halpin did not stay long, at least behind his drum kit, and eventually became the group's tour manager. [1]
Art Tatum. Arthur Tatum Jr. (/ ˈteɪtəm /, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest ever. [1][2] From early in his career, fellow musicians acclaimed Tatum's technical ability as extraordinary. Tatum also extended jazz piano's vocabulary and boundaries far beyond his ...
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7[7] (which could also be called ♭ V 7 /V, subV 7, [7] or V 7 / ♭ V [7]).
In "Fifth House" (based on "Hot House", i.e. "What Is This Thing Called Love") the standard substitution is implied over an ostinato bass pattern with no chordal instrument instructed to play the chord changes. When Coltrane's improvisation superimposes this progression over the ostinato bass, it is easy to hear how he used this concept for his ...
Composer (s) Horace Silver. Producer (s) Alfred Lion. " The Preacher " is a composition by Horace Silver. The original version was recorded by Silver's quintet on February 6, 1955. It was soon covered by other musicians, including with lyrics added by Babs Gonzales. It has become a jazz standard.
Jazz elements such as improvisation, rhythmic complexities and harmonic textures were introduced to the genre and consequently had a big impact in new listeners and in some ways kept the versatility of jazz relatable to a newer generation that did not necessarily relate to what the traditionalists call real jazz (bebop, cool and modal jazz). [200]
The rhythm changes is a 32-bar AABA form with each section consisting of eight bars, and four 8-bar sections. [ 9 ] In roman numeral shorthand, the original chords used in the A section are: a 2-bar phrase, I−vi−ii−V (often modified to I–VI–ii–V), played twice, [ 10 ] followed by a 4-bar phrase. In a jazz band, these chord changes ...