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Breeching (boys) Flemish boy of 1625 in a dress with sewn in tucks to both layers of the skirt to allow for growth. The hair and hat are distinctively masculine, and he wears a sword or dagger (observer's left) and red coral beads, which were used for teething. Boston, 1755–1760, boy and (probably) girl. Breeching was the occasion when a ...
Dress breeches are tight-fitting and have buttons and a strap and buckle (which are detachable) closure at the bottoms, made of velvet or barathea wool, used for livery, formal and court dress. From the 1890s to the 1930s a form of breeches called knickerbockers or knickers (US) were in fashion with both men and boys.
Men's skirts. Sumerian men's skirt ( Kaunakes ), ca. 3.000 BC. A modern utility kilt. Outside Western cultures, men's clothing commonly includes skirts and skirt-like garments; however, in the Americas and much of Europe, skirts are usually seen as feminine clothing and socially stigmatized for men and boys to wear, despite having done so for ...
Knickerbockers (clothing) Knickerbockers, or knickers in the United States (US), are a form of baggy-kneed breeches, particularly popular in the early 20th-century United States. Golfers ' plus twos and plus fours are similar. Until after World War I, in many English-speaking countries, boys customarily wore short pants in summer and "knee ...
The clothing of the people in biblical times was made from wool, linen, animal skins, and perhaps silk. Most events in the Hebrew Bible and New Testament take place in ancient Israel, and thus most biblical clothing is ancient Hebrew clothing. They wore underwear and cloth skirts. Complete descriptions of the styles of dress among the people of ...
1775–1795 in Western fashion. Thomas Gainsborough, The Morning Walk (portrait of Mr and Mrs William Hallett), 1785. Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, [1] the declining fashionability of highly elaborate ...
A succession of style trends led by Christian Dior and Cristóbal Balenciaga defined the changing silhouette of women's clothes through the 1950s. Television joined fashion magazines and movies in disseminating clothing styles. [3] [4] The new silhouette had narrow shoulders, a cinched waist, bust emphasis, and longer skirts, often with wider hems.
Australian Museum of Clothing And Textiles Inc. at the Wayback Machine (archived 27 October 2009) – Why have a Museum of Clothing and Textiles? Linking Anthropology and History in Textiles and Clothing Research: The Ethnohistorical Method by Rachel K. Pannabecker – from Clothing and Textiles Research Journal, Vol. 8, No. 3, 14–18 (1990)